After the drawing was done on a stretched piece of Bockingford 250lb watercolor/watercolor paper the first thing to paint was sky, followed by some underlying 'light' colours/colors into the other areas.

The whole paper was wet before applying the sky colour/color into the required parts leaving sections of plain paper to represent the bright high level cloud and before the paper dried completely the underlying or light colours/colors for the foreground were painted, wet-into-wet but controlled.

Once the above wash had dried, I started on the right hand hill with it's buildings and greenery. The first parts to be painted were the light colour/color for all the buildings. This varied between each but most where white buildings (but in shadow) while leaving highlighted areas (e.g. highlight on roofs) clear. Some buildings required a mid tone wash to small areas before moving on to the darks (mainly roofs and one or two buildings walls) and finally details like the windows and some guttering that stood out.

The greenery as three washes (light, mid and dark of the correct colours/colors) working around the buildings, in places wet-into-wet but mostly the darker colour/color painted when the underlying wash had dried.

The left hand side was painted in the same manner but with slightly more detail being added into the buildings and due to the angle of light and buildings, more colour/color was needed and added to roofs and stone/brick work.

The next stage was to paint the mud and pools of water. To allow for loose wet-into-wet washes I masked the highlight around the pools of water. A number of colours/colors were pre-mixed before applying the first colour/color and as this slowly dried further colours/colors were added to give a soft mud look. Once that was dry, areas of seaweed, stones and some ropes could be painted. The pools of water were then painted and when dry any reflections from the boats were painted. Finally masking fluid was removed and all required edges softened.

The last parts to paint were the boats. All were painted in a similar manor with light, mid and dark washes (using the correct colour/color for each craft) used to establish the hull shape followed by all the details (windows, cabins, buoys, masts, ropes etc). Shadows were then painted for each and the last bit to be painted were a few gulls flying in the sky.